Heading Towards A Finish Line

It’s Tuesday. Our movie screens in 11 days. There is so much to do.

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Photo courtesy Katie Rosin

It has been a lot of fun receiving congratulation texts, calls and emails. And I’m getting excited for friends, family, and even some cast and crew to see our movie on the big screen. But we still have one slight hurdle to jump:

We have to finish the movie.

I know what you’re thinking. “Why would you submit your film to a film festival if it’s not finished?”

It’s a common practice. Film festivals are used to looking at unfinished cuts and can anticipate what the final product will look like, just as long as your running time is very close to final, and your music is in the same ballpark. Since September we have submitted our unfinished version, which was missing audio mix, score, color correction, VFX, and contained many temporary tracks in place of score and permanent placed tracks.

In the past few months we have finished our audio edit, approved almost all of our VFX, put together all our music, and are halfway through with color correction. But the clock is ticking. And there is no better deadline then actually having to screen the music in front of a live, ticket-buying, audience of 250 people.

This afternoon I will return to our lush Burbank post-production facility (they have snacks within reach of my greasy fat fingers! Fresh berries! And someone to get us hot or cold beverages whenever we want!) where we are in the final days of color correction.

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Another day, another edit bay.

Color correction involves going shot by shot, cleaning up the images. For example, if the streetlight in the background is too distracting, we can turn down the intensity. Or, if an actor has a zit poking out through the makeup, we can zap it. Or it can be big picture stuff like deciding how blue we want the sky, or the ocean.

It’s time consuming, but at the hands of our colorist Jake Weathers we are moving along. It helps to have our Director of Photography Senda Bonnet sitting in. She knows far more than I do about coloring (and filmmaking in general). My mantra for this process has always been “surround yourself by people who know more than you.” And that mantra has been working out for me.

But we are under the gun.

The plan is to finish color correction tomorrow, sync up the audio mix, work in the VFX, then add the credit roll and music to go under it. We on the production team have been scrutinizing our credits, double-checking all names. Getting information wrong in the credits would be embarrassing (and expensive to fix) so the time is now.

Once everything is imported we need to watch it in its entirety and make sure there are no glaring errors or admissions. Then we need to create DCP (Digital Cinema Package) which is a collection of files on a hard drive. These files, combined, make up the movie. The hard drive needs to be shipped to Washington D.C. this Friday so they have plenty of time to test screen it.

Going to be a busy week. Let’s hope we make it.

And Here We Go!

This film has been in the works for years. Don’t believe me? Well, check out this blog’s first entry… from February 2nd, 2013.

That’s right (or… write?)! I have been working on this movie, in one way or another, for five years now. So much has happened since then: the birth of my son, a number of film scripts written for hire, even two moves which includes-

STOP. There is no time to reminisce.

Because our film is about to have its World Premiere!

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Here we go!

That’s right, on February 17th all of our work comes to the next stage of development, which is BRINGING IT TO THE PEOPLE in the D.C. Independent Film Festival. And while I’d love to reminisce about everything that has happened in the past years, all the struggles and rejections and triumphs and little victories that make up this journey, I don’t have time.

Because we still have to finish this movie.

Wait, what?

Audio Post. And color correction! And VFX! And the final credit roll. And we are less than four weeks from premiere. I mean, tickets are already on sale. So what do we do?

Four weeks is long enough to get it all done (after all, we did shoot most of this movie over two weeks.

First, the final audio mix. This past Friday Beau, Katie and I watched the entire film with the sound team and attacked the few trouble spots. Now we are immersed in the world of color, and there’s so much to do still, but-

-but take a minute. Scroll back to the top of the post. Look at those laurels! Actually, don’t scroll back, I’ll put them here again so you don’t strain your scrolling finger:

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It’s important, after five years of hard work, from writing to developing to fund raising to everything else, we now have the wonderful opportunity to look at time differently…

…a milestone time:

Saturday, February 17th
7:45pm
Burke Theater
Naval Heritage Center
Washington D.C.

And here we go!