Closure is in the can (or on the drive to be more 21st Century) and editing has begun. I have recapped each day of shooting, most recently the last day of our first week of shooting. Next up, another company move.
It’s the weekend! Well, not a full weekend, it’s actually 33 hours from when we walk off set on Saturday until we are back in bright and early Monday morning. But it’s a great break!
For me, the break was about 15 hours. I did get to enjoy Sunday morning, going to the farmer’s market with my son and my mom; my parents came to town to replace Catia’s mom on grandson-watching duty. After lunch I dove back in on the script, working on cutting pages for our hell day (coming soon, stay tuned) and preparing my shot lists for the coming days. While I always have my big bulky script with me everywhere, I quickly figured out it’s easier to pull up my shot list on my phone, so I need to have it readable and ready to go. Also, Sunday evening was the only time to have a location scout as there were still two locations the creative team hadn’t seen. So Beau, Paul, Senda, and the art department team met up at Flame, a pizza place we are using as a location the next day. After dinner we drove across the valley to a bar we are using on hell day and checked it out. I got home around ten and rushed myself to bed so I could get some sleep before getting up at 5am to start the week.
First location, Flame Restaurant, less than 12 hours after the scout. Another day, another tight space to set up our universe.
As the crew was setting up we did another Prius driving scene. It’s the first scene of dialogue in the film, as Nina encounters her first Angelino, an Uber driver played by the hilarious Amy Heidt. Amy did an excellent job of acting while driving, and after an hour we moved back into the restaurant.
And it was crowded in there. The back half of the restaurant was the set, an intimate restaurant with maybe a half dozen tables. The front half of the restaurant: holding, craft service, production office, wardrobe. Tight is an understatement.
As on any ultra low budget movie, you make the most of the resources you have. So in the background of our restaurant scene were some familiar faces: our producer Katie, Donna (who let us shoot in our house on day 2), our second A.D. Kat, my brother, and my mother.
Another added benefit of having people we know on set is that they are (hopefully) more forgiving of the tighter, cramped conditions.
The scene itself was fairly simple to shoot, once all the elements were in place, and we wrapped early and took a long lunch. Yes, a luxurious nearly 90 minute lunch as even though we wrapped early, we had a company move to our next location and couldn’t enter early. My only regret: we should have given our caterer the day off and let our chef/host cook for us. Our meal the night before proved that you can get great pizza in Los Angeles.
Our next location was a 10 minute drive into the hills for our scene with The Superior, the shady character who may have all the answers Nina is seeking regarding her sister’s disappearance. The Superior is like The Wizard in Oz; the one with all the answers and all the power. In my career so far as a writer/director one of the unexpected joys is getting the chance to work with talented actors I grew up watching on the large and small screens. I directed Billy Dee Williams in the movie Today Will Be Yesterday Tomorrow. Ron Palillo acted in the world premiere of my play I’m in Love with your Wife. And today, the incomparable Dee Wallace. You’d recognize her from Cujo, The Howling, and most famously, starring as the mom in E.T. She is also on Just Add Magic with Catia, who slipped her the script a few months back. She immediately accepted the part, gleefully saying “I get to smack Catia around? Sign me up!”
So here we are on a lovely afternoon, in the backyard of a lovely house next to a pool, watching two talented ladies face off. Just two women, sitting by the pool, casually reclining as they exchange cutting and at times brutal dialogue. As a writer, it was a joy to watch my words leap to life. As a director, all I really had to do was stay out of their way. I gave each actress a few tweaks and suggestions, but mostly stood back and let them do all the work.
And it was great.
Week two, day one is in the can. We are over half way finished with principal photography. We can do this.
Coming up next: creating a police station on a low budget.