Well, here we are.
A badge, a bozo, and a bourbon-based beverage (photo: Catia Ojeda)
It’s been a long journey to get here. No, I’m not talking about this entire process, I’ve said that frequently and you can read past posts to back that up. No, I’m talking literally getting here. We left our house at 6:30am and it took 90 minutes to get to LAX, then a struggle of getting three suitcases, two shoulder bags, a stroller, a car seat, a monkey backpack filled with kids books, and a three-year-old from the car to the shuttle bus to the terminal. Then a cross country flight (no nap for any of us), a frustrating 10 minutes of installing the car seat in my parent’s car, and then a rush hour drive to my parent’s place.
But we did have something to ease our travel woes: our first review. While I try not to hold too much stock in reviews (if you listen to the good ones, then you’ll listen to the bad ones) I was pleased that the critic understood what we were trying to achieve. He had positive things to say about the cast, the script, and the tone. Maybe there is an audience for us out there.
So here we are, a day later, attending our first festival. The D.C.I.F.F. team has been very gracious and responsive to all of our questions, so I was glad to finally put faces to names. Catia and I grabbed our quick dinner, watched a movie, and then went to the afterparty where we met more filmmakers. Milena Govich, who plays Prudence, joined us as well, as she also has a short film she directed in the festival. And it was great to hang out, have food and drink, and just talk film. An added bonus: since we were staying with my parents there was built in babysitting for our kid.
The next day was our premiere. Very excited not only to show the movie to an audience, but to people I know throughout my life as D.C. is my home town. Family, friends, even a few teachers were planning on coming. The big wrinkle: after days of pleasant sunny weather in the 60s, it got colder. And snowed. And then warmed slightly. And turned to ice. Some people starting texting and calling in their regrets. Would anyone show?
After leaving our kid with a sitter, my parents took us out to a great dinner before the screening. And as nausea set in, we made it to the venue. And there were people there! And a bar, and food, and live music as pre-screening festivity. It’s the Saturday night and the festival staff pulled out the stops.
We gathered our team for a photo:
From left to right: Milena Govich (Prudence), producer Beau Genot, Catia Ojeda (Nina), composer Jamie Christopherson, me, and producer Katie Rosin. (Note to self: get the photo from the camera where we were all looking.)
In addition to me, Catia and Milena, our composer Jamie flew in from Los Angeles. Beau left his vacation early, departing from a cruise stop in the Caribbean. Katie drove down from New York with her family.
The prior movie and discussion ran long, so we continued eating, drinking and talking, which was a blessing as there were so many people from my past with whom I wanted to reconnect. And then, it was time.
D.C.I.F.F. Executive Director Deirdre Evans Pritchard introduces our movie.
Beau, Catia and I took our seats in the back of the house. The lights dimmed. Here we go.
I have sat in the audience for many of my plays, ranging from full house opening nights to sparsely attended matinees, and it is always a gut punch. Some jokes don’t get a laugh as big as you want. Some don’t get laughs at all. There can be shifting of seats, indicating boredom. There can be stillness, indicating that an audience is on board. Usually, my nervousness ebbs and flows throughout the performance.
But tonight the nervousness vanished pretty quickly. The laughs came where I intended them. The audience was focused and into it. Beau and I looked at each other in the first few minutes and nodded; they were with us. When I grabbed Catia’s hand she didn’t recoil or tense up, a sign that she was comfortable with what she saw (as comfortable as one can be, seeing themselves projected 20 feet high). We were doing it.
Knowing that the Q and A would immediately follow the screening, I ducked out to go to the bathroom. On my way back in, I watched the crowd for a moment:
Nina (Catia Ojeda), Franklin (James Andrew Walsh) and an audience’s gaze.
The movie ended. Applause. And the questions began. Comments were positive. Questions were insightful. I was pleased to see two former high school teachers of mine in the audience, my film teacher Bill Blackwell and one of my drama teachers, Frank Shutts. It meant a lot to me that they made it, and they certainly had a great influence in the work I make today.
And then, it was over. I fielded a few more questions and then a tall, thin guy tapped me on the shoulder.
“This is yours.” He handed me a box. In it, a hard drive. Our movie.
I thanked the projectionist for his great work (not everyone can accurately screen a movie, it’s harder than you think) and walked out to the lobby, clutching five years of work.
That next few days consisted of viewing features, dozens of shorts, attending a brunch and a closing night party. I only saw four of the ten narrative features so I had no idea if we would get an award, but I naturally liked our movie the best.
And then, the announcement.
My first acceptance speech. Don’t let the shocked face fool you: I’m thrilled. (Photo: Elias Savada)
A shock. Pure joy. Our first festival. Our first award: Best Feature. A great start to our festival tour. I gave a little speech. When I finished Beau grabbed the mic and THANKED THE FESTIVAL. Oops. Note to self for the next time. If there is a next time. God, I hope there’s a next time!
The celebration was short-lived. The party ended at 10:00pm. The next morning we were up at 4:45am to fly back to L.A. Back to the grind and the hustle. Back to more festival submissions. Back to writing more scripts. Back to finding more work. But this helps:
Looking forward to the next steps on our journey. Stay tuned!