As I mentioned in my previous post, one way to stave off The Beast is to shake it up and work on something else. That is a risky move, because as soon as you stop work on a script, there likelihood of never completing it increases. That said, I find it helpful to move from one project to the other, for a few reasons. First, it’s a surefire way to avoid writers block. Don’t know what the next moment is about? Go to another project. Second, it allows ideas to marinate. Just because I’m not working on something doesn’t mean it isn’t creeping into my subconscious. So when I go back to a project, there are already new thoughts raring to go.
Also, marinades are delicious.
But sometimes, script juggling comes out of necessity. And in the past month or so I have had to juggle FIVE different scripts. I don’t normally like talking about scripts before a draft is complete, but I trust you good people out there on the internet will keep this a secret. Right? Right?!? Write. Okay, let’s juggle.
Closure: Of course, this is the script that is the basis of this blog. I received notes from my producer, and all I had to do was make changes. Easy, right? Well, considering this is the only project without a deadline, it will often be on the back burner, placed in the back seat, enter through the back door, or any other similar analogy. That said, I recently dedicated a large block of time to getting it done, blocking out every other project. And I did. The latest draft was sent off to the producer yesterday.
Mayor of the 85th Floor: A full length play about squatters living in the Empire State Building in a possible near future when our society is in the process of breaking down. If Closure has spent time on the back burner in recent weeks, then Mayor of the 85th Floor has been tucked away in a box in the attic. I have been developing this script for years now, and for the past two years I have been guided by acclaimed director Asaad Kelada; we are both members of The Actors Studio Playwright/Director Unit. We are scheduled to present the first act of the play at the end of March, so out of the attic and onto a burner.
Guellen, Kansas: A ten-minute play I wrote as part of the playwrights lab at the Antaeus Theatre Company. A fun and quick diversion, the play had a staged reading as part of their Classics Redux series in January. Gotta love a project that goes from conception to completion in a matter of months. Consider this: from conception to opening night, new shows on Broadway average six years of development.
Untitled Woody Allen Spring Project: Okay, that’s not really the title. Also, I’m not working with Woody Allen on anything (yet). Back when I was working film in New York, the Mayor’s Office of Film and Television released a list of everything shooting at any given week in the city. Woody Allen’s movies were always untitled until the very end, which I think is a great way to avoid wasting time coming up with a title. All of his films went by “Untitled…” until, well, until they didn’t. So what does that have to do with me? I’m writing a new film as part of a writers group, where we individually go from concept to finished first draft in ten weeks. We are in week seven. Needless to say, this project, a sports comedy with heart, is on a front burner for the next few weeks. I have a lot of work to do, and can’t waste any time on a title (although I have one).
Planet Island: A very cool, sci-fi TV series about an island that appears out of nowhere in the Pacific that overnight is inhabited with…
…well, I can’t give EVERYTHING away in my blog!
Do any of these stories interest you? I would love to hear your opinion on any of these scripts. Want to be a reader for me? Let me know.
Bonus fact: I can juggle. For realz.