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Reading Recap

Two days prior to the reading, and I am all about revisions. I would happily delay work on the script and procrastinate (look, more baseball on TV!) but I wanted to get the script to the cast at least a day in advance so they could have the option of reading it in advance. Plus, to be green, those who had e-readers needed to get it on their devices. So I worked late into Thursday evening, and Friday before and after work I continued my paper edit. By 5pm I had completed paper edits and sat in front of the computer to input all the changes. By 6pm Catia had returned from her commercial shoot, and since it was her birthday, we opened a bottle of bubbly to celebrate, then I continued with my paper edits. That is one stereotype I do not fit, the writer who drinks through the process. Fortunately I was almost done and I nursed my glass. Around 7pm I finished, saved the script, and sent a pdf to the cast. No proofreading here, gonna fly by the seat of my pants.

Saturday a quick trip to the local copy store to print out copies for the e-readerless (double sided, you’re welcome Mother Earth) and before I knew it, time was up. Let’s begin.

The last time I heard a script read out loud was my debacle with The Actors Studio in July. I was not concerned this time; after all, it’s a closed reading, just a handful of talented actors who all happen to be friends. A few other respected listeners. A positive room.

Reading 10-12-13 1

Talented actors hard at work.

And it went well. The pace moved quickly. There were more laughs than I anticipated. The actors connected with each other. Sure, the flaws were glaring when the dialogue was heard out loud. It didn’t go far enough with some of the protagonist’s obstacles, and some moments weren’t believable, but all in all it was a success. The script works.  With a little reworking and revision, this could be something. I am satisfied.

After the reading I opted not to have a group discussion, which sort of threw the cast for a loop. Ordinarily following a reading everyone would sit around and discuss, but since we started a bit late and since the reading was turning into a birthday party for my wife with other guests about to arrive, I decided to abandon the usual critique session and talk to people individually or in smaller groups, throughout the evening. This worked out surprisingly well as people could speak freely without considering the opinions of others. Plus, this allowed me to hear similar opinions without worrying about bandwagon opinions, which are those from people who might agree with something that they wouldn’t have considered on their own. There was some general consensus, though:

* The script is too procedural. Much is revealed in conversation, which isn’t active. And similarly:

* Be more visual and less married to text. A common problem for us playwrights who switch to film. Not insurmountable, my scripts are getting more visual the more I write, but something to always consider. Talk in images when possible. One great note I received from a writer friend who watched the reading is to consider approach each scene as a dance.

Now I will take a few days away from the script to stew it over, but I am encouraged and excited to take this to the next step.

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